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MEG 16 Solved Assignment 2022-23

 

MEG 16 Solved Assignment 2022-23

INDIAN FOLK LITERATURE

MEG 16 Solved Assignment 2022-23 : All assignments are in PDF format which would be send on email/WhatsApp (9958676204) just after payment.

Course Code: MEG 16

Assignment Code: MEG 16/TMA/2022-23

Max. Marks: 100

Attempt any five questions. All questions carry equal marks. (20X5=100)

1. Discuss Identity and Hybridity, Kshetra and Desha vis-à-vis folklore and culture studies in India.

Folklore is an expression of our existence, with folk paintings, narratives, language, culture and literature. Until about 4000 BC, all literatures were basically folk literatures due to their orality. Writing developed in the years between 4000 and 3000 BC, in both Egypt and the Mesopotamian civilizations at Sumer. Thereafter, the written literature spread rapidly from Asia, North Africa and the Mediterranean lands to rest of the world. Nevertheless, during all these centuries when the world was learning how to write, there still existed a large and important activity carried on by the unlettered practitioners of oral literatures. Each one of those groups has handled folk literature in its own way, so neither its origin nor its evolution can be explicitly spoken of. Its transmission from person to person and its exposure to various influences affecting it consciously or unconsciously has brought about its constant change. In the process, some of those items may find improvement and develop into a new literary form or may die out from the oral repertory due to overwhelming alien influences. The skilled practitioners of the tradition, storytellers or epic singers have preserved their literary expression in the memory of folk who have poetically and explicitly talked about ‘Kshetra’ and ‘Desha’ in their narratives. In due course of time, at various places, special poetic forms have been perfected and passed on from bard to bard. This block deals with the issues of identity and hybridity of folk forms vis-à-vis the concepts of ‘Kshetra’, a cultural construct, and ‘Desha’, a political construct.

FOLK LANGUAGE AS A Repository of Culture REPOSITORY OF CULTURE

The notion of language has been understood down times and across spaces in multifarious ways. The understandings have been almost as diverse as the processes of language itself. As a mode of communication in the domain of culture and creative expressions, language has occupied an intermedial matrix comprising the oral, verbal, non-verbal, visual, aural, performative, literary and so on. In defining “speech genres”, Bakhtin writes: All the diverse areas of human activity involve the use of language. Quite understandably, the nature and forms of this use are just as diverse as are the areas of human activity…Language is realized in the form of individual concrete utterances (oral and written) by participants in various areas of human activity.

Language is that flowing entity in contradistinction to the apparently fixed theoretical construction of the folk. But both are connected in a certain “social” linkage. Language is as much individual as it is social and so is the folk. It is important to distinguish at this point the territory of discourse and that of actual lived reality. Although the two continuously inform each other, naming something is very much different from the lived reality of the same. The seeming discursive fixity of the term folk is connected to a sense of location of the people associated with it. Seen to be located either in a far off time or a fixed place, a certain purity is accorded to them. That way of seeing entails a certain attitude of separating groups of people on the basis of some essential difference they carry. Language, belonging to this sanctified domain, becomes the repository of a particular kind of culture.

2. What are the major thematic and narrative concerns in folk literature?

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3. Discuss the seminal contributions of A K Ramanujan to folk literature, especially to folktales.

4. What is the difference between the tribal and folk cultures in any given culture? Discuss with case studies.

5. Discuss the folk elements in T Shankar Pillai’s novel, Chemmeen.

6. Discuss the folk theatrical forms—Jatra, Kathakali, Tamasha, Nautanki and Pala—with examples of your choice from different Indian regions.

MEG 16 Solved Assignment 2022-23 : All assignments are in PDF format which would be send on email/WhatsApp (9958676204) just after payment.

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POST GRADUATE DIPLOMA IN AUDIO PROGRAMME PRODUCTION Master’s Degree Programmes (MEG) ASSIGNMENTS

Dear Learner,

You have to submit one assignment in each course, i.e. MEG 16. All these are Tutor Marked Assignments (TMAs). Before attempting the assignments, please read the instructions provided in the Programme Guide carefully.

Kindly note, you have to submit these assignments to the Coordinator of your Study Centre within the stipulated time for being eligible to appear in the term-end examination. You must mention your Enrolment Number, Name, Address, Assignment Code and Study Centre Code on the first page of the assignment. You must obtain a receipt from the Study Centre for the assignments submitted and retain it. Keep photocopies of the assignments with you.

After evaluation, the assignments have to be returned to you by the Study Centre. Please insist on this and keep a record with you. The marks obtained by you will be sent by the Study Centre to the Student Evaluation Division at IGNOU, New Delhi.

Guidelines for Doing Assignments

There are five questions in each assignment, all carry equal marks. Attempt all the questions in not more than 500 words (each). You will find it useful to keep the following points in mind:

Planning: Read the assignments carefully. Go through the units on which they are based, make some points regarding each question and then rearrange them in a logical order

Organization and Presentation: Be analytical in your selection of the information for your answer. Give adequate attention to the introduction and the conclusion. Make sure that your answer is logical and coherent; has a proper flow of information.

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